operafantomet:

A photoset showing how one of the original red Stockholm Elissa skirts were dramatically pimped up in Copenhagen. 

They kept the main red skirt, but added the decorations under the existing patterned hem. I believe the gold couched green backdrape was kept as it was. The green tabs was also kept, but seriously pimped up with sequin trims, gems and appliqués. They eventually also got a thicker gold fringe. 

What the costume got new was a satin apron with brooches, and a new false bodice. The hem was of course also new. And since the revamped skirt was a lot larger (made for one of the tallest Christines in the world, after all), they gave it a bigger underskirt and added more tabs to it, to make everything a bit grander. 

But in these photos you can see that the basic is the same. To the left, Elisabeth Berg’s costume in Stockholm, to the right Susanne Elmark’s costume in Copenhagen.

swirlofgown:

"My attempt at a serious photo sesh."

-Grace Morgan

elf-in-mirror:

This is what will happen when I buy the Walt Disney company and The Really Useful Group and get a bunch of professional animators to obey my every whim.

… but until then I should probably mention that the PotO lyrics are © A.L. Webber and The Really Useful Group. Snowflake-Brushes and other resourses from Candy-cane-killer, Mediaklepto , KeepWaiting and ObsidianDawn.

operafantomet:

Little Lotte let her mind wander… 

mikesgun:

The 2014 Tumblr Tony Awards Nominees
→  Show That Needs a Revival

ilikeunderstudiesandethanfreeman:

Hugh Panaro - Empty Chairs at Empty Tables

Broadway; October 18, 1990

get to know me meme[2/6] favorite on-stage actresses → idina menzel

"Why, you love him! Your fear, your terror, all of that is just love and love of the most exquisite kind, the kind which people do not admit even to themselves!"

- Raoul De Chagny, the Phantom of the Opera